I normally avoid trying to spend money on music at retail chains such as Best Buy or FYE, opting to support independent record stores instead. But I do make the odd exception when a decent sale presents itself. While at the mall today, I couldn’t resist checking out a sale advertising “All CDs just $9.99″ at FYE. I ended up picking out a few things I’d had on my list: Daft Punk – “Alive,” Zero 7 – “When It Falls,” & Ulrich Schnauss – “A Strangely Isolated Place.” On my way out, I asked the sales person whether they were having the sale because they were closing the store. But as I was told, this particular store was testing out a new pricing model, with all single disc CDs being sold for $9.99, and that FYE corporate was considering implementing it across their entire chain.
I was really shocked to hear that a music and media retail chain the size of FYE would consider such a model, and my initial reaction was to assume it was BS, which led me to confirm the statement with a second store employee. After finally settling on the possibility that this might be true, I began thinking about the reasoning behind it, and the implications it might have.
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as far as my beatport buying habits are concerned, Get Physical seems to be my favorite dance music label these days, and with good reason. i checked out their latest single by Jona featuring tracks “Take Five” and “Sunset” and both are absolute bombs. Jona’s been on my short list as of late with his track “Manta” on GPM not too long ago, and even more recently a killer remix of Junior Boys’ “No Kinda Man” off of their Body Language mix.
this latest release takes things up a notch, with the perfect combination of summer sounds and tech house beats that will feel right at home with the rest of my collection. worth checking out is the Get Physical Podcast, which currently features a mix of recent and upcoming tunes that provides a good taste of the sounds being offered up by this seemingly unstoppable dance label.
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Tags: Beatport, Get Physical, Jona, Junior Boys
Telefon Tel Aviv
i’ve been on a bit of a Telefon Tel Aviv kick lately, having both re-visited their two full lengths and freshly discovered a handful of their remix work. one of the tracks on their MySpace page music player entitled “You Are The Worst Thing In The World” is one of the most compelling songs they’ve ever done, slated to be on their upcoming third album (its also been picked up for Sasha’s Involver 2 which i mentioned yesterday). also in their player, I came upon for the first time a great remix of Carmen Rizzo & Esthero’s “Too Rude” off of Rizzo’s debut full length “The Lost Art Of The Idle Moment” which I really enjoyed. i shot over to the iTunes Music Store and bought it immediately, $0.99 well spent.
other remixes of theirs that i’ve had on repeat are the two remixes they’ve done for Apparat, one of which is of the standout track “Arcadia” off his most recent Walls album, and the other being of a track called “Komponent”. both of those remixes are available on the Apparat remix compilation “Things To Be Frickled” and both are unquestionably the two best tracks there.
Carmen Rizzo & Esthero – Too Rude (Telefon Tel Aviv Remix) on the iTunes Music Store
image from the Flickr page of Josh Eustis (one half of TTA)
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Tags: Apparat, Carmen Rizzo, Esthero, Hefty Records, Involver 2, iTunes, Sasha, Shitkatapult, Telefon Tel Aviv

Sasha’s Involver record released back in 2004 was one of the early reasons i got interested in dance music, with its eclectic palette of sounds that took me on a listening journey of sorts. the release of the second volume in the series was recently announced to be in early September. having attended the Global Underground Involver 2 Preview Party at WMC this year, i’ve definitely been anticipating hearing more of the music from that night in detail. my first taste since is now available for listening on Sasha’s Facebook Page, featuring samples of his remixes of M83’s “Couleurs” and Ladytron’s “Destroy Everything You Touch”. the M83 track doesn’t really do it for me, because I don’t think Sasha’s remix really adds anything to the original, but the Ladytron track is a real gem. not having heard the original, i don’t have much basis for comparison, except to say that it’s a damn fine piece of production from what i have heard of it. it’s the one track from the Preview Party that i distinctly remember, and it definitely got a strong response from the crowd at Mynt Lounge that night.
read more about Involver 2 in an interview i did with Sasha & John Digweed for Progressive-Sounds back in April during the early stage of their US Spring Tour which kicked off during WMC.
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Tags: Global Underground, Involver, Involver 2, John Digweed, Ladytron, M83, Sasha, WMC
I first read about this track on a pair of beatportal news items, one of which referred to Matthew Dear & Ryan Elliott playing it at the WMC Beatport Pool Party during their tag team set. the track hasn’t left my iPhone since the day I bought it, almost two months ago now.
needless to say, it’s an absolute gem, and the perfect example of good tech-house.
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Tags: Beatportal, Freerange, Milton Jackson
there’s a new game in town. and by game I mean “electronic music festival.” and by town I mean “the US.”
a well recognized but equally underground event promotion group based in NYC named Minimoo has taken on the challenge of bringing a proper techno festival to the city. seemingly on a scale and quality level comparable to the Detroit Electronic Music Festival, Minitek looks to be a promising first time event.
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Tags: DEMF, Detroit, festival, Minimoo, Minitek, NYC
Flavors Of The Moment
producers:
- Stimming
- Henrik Schwarz
- Milton Jackson
- Ewan Pearson & Partial Arts
- Diynamic
- Innervisions
- Buzzin’ Fly
- Freerange
- Get Physical
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Tags: Buzzin' Fly, Diynamic, Ewan Pearson, Freerange, Get Physical, Henrik Schwarz, Innervisions, Milton Jackson, Parial Arts, Stimming
i got a taste of the upcoming release on Turbo Recordings, headed up by Tiga, which happens to be a remix package of a recent Moby single. i was definitely a bit hesitant with this one at first, it’s been quite a while since i’ve genuinely enjoyed anything Moby has put forth, but the crew at Turbo selected a really strong cast of remixers, most of which were able to do something enjoyable yet different with the track. the standouts for me were remixes by Popof, Style Of Eye, and Holy Ghost!
the Popof and Style Of Eye remixes were pretty straightforward, dance floor techno tunes, while the Holy Ghost! brings the usual DFA-esque sound to the table with a slightly less aggressive, more disco-tinged take.
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Tags: Holy Ghost!, Moby, Popof, Style Of Eye, Turbo Recordings
Recent Entries
- FYE testing new CD pricing model, part 1
- Anja Schneider DJ Set @ Mobilee Rooftop Party, WMC 2008
- [bleep] party location photo
- Jona’s latest single on Get Physical
- Telefon Tel Aviv
- Sasha’s Involver 2 due in September
- Freerange 100 // Milton Jackson – Ghosts In My Machine
- Minitek Festival in NYC September 12, 13, 14
- Flavors Of The Moment
- Turbo 054 // Moby – I Love To Move In Here
- SOS Boat Party in Toronto August 3
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